I find Peter McKinnon so enthralling. And at 4.2 million Youtube subscribers, I’m not the only one.
In short, Peter McKinnon’s channel is about Peter McKinnon. He has different interests, different things he wants to talk about, and different things he wants to explore. You’ll find photography tutorials, cinema tutorials, travel videos, everyday carry videos — you name it, if Peter is interested, he’s vlogged about it.
I genuinely appreciate his attitude on this topic — setting up arbitrary parameters about things you can and can’t create only stymies creativity. So yeah, I may not like all of Peter’s videos, but I think I watch his videos to watch him, not the topic at hand.
This is effectively the crossroads I’ve been at with The Newsprint for quite some time. How do I reconcile the drive to discuss money and finances, Star Wars, photography, travel, hockey, baseball, faith, Bibles, bags, and more, all on one blog? I felt especially silly in the month of November, as I had no direction whatsoever in the things I was publishing.
Apparently I don’t have to feel guilty about that non-directional approach. And it’s so relieving.
I started The Newsprint in what felt like a golden era of blogging — I had friends who quit their jobs to blog on the hopes their blog could make it as their future career. In some cases, it panned out. In some cases, it didn’t. The very fact it could work out was an incredible achievement of that time.
I don’t know if the field is as ripe for that type of blog today. I could be wrong, but in the world of video and social media, it feels like these small blogs are a long-shot from ever earning the kind of money necessary to feed your family.
And so, if those rules have changed today, then it’s only fair to change those arbitrary posting parameters as well.
Gone are the days where I feel weird posting a Bible review on one day and then a list of Star Wars predictions the next. Gone are the days where I feel odd talking about money and finances.
I’m going to write and post things that interest me. Things I like. Things I’m trying my hand at.
And if anyone has an issue, then, well, I’m going to take Peter’s attitude on the manner.
Take #1 — here are a bunch of old photos you’ve likely seen before, but with a new edit. This new edit is a personal preset I’ve been developing of my own. There are sure to be tweaks along the way, but I like how it renders everything from landscapes and cityscapes to skin tones and foliage.
Happy New Year everyone. Cheers to a happy, blessed, and prosperous 2020.
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The Schuyler Quentel has become the best standard, all-purpose, workhorse Bible. Barring any specific uses, the Schuyler Quentel may be the only Bible you ever need.
I’m not sure where I stand on the whole premium Bible conversation. On the one hand, it’s tremendous to feel genuine craftsmanship and exquisite materials all combined to reflect the Bible’s masterful literature. On the other, the more beautiful the Bible, the more difficult it may be to pick up and genuinely use.
Perhaps my path only exacerbates this issue. My first premium Bible was the Crossway Single Column Heirloom Legacy, a single-column masterpiece built for photographers, type and font experts, and designers. I can’t find any element of Heirloom Legacy to complain about, at least on a design front. Almost everything in that Bible is perfect.
But boy do I baby that Bible. I’m sure it doesn’t need to be babied, but I baby it. The only pen that’ll touch that paper will be a Pigma Micron, and the only page that will see any ink are the introductory pages at the beginning. The Single Column Legacy sits on my mantle at home and represents all things beautiful about a physical Bible.
There’s something to be said about a Bible designer who finds the correct combination of great materials and great craftsmanship, yet also invites you to use the Bible.
Schuyler’s ESV Quentel is the first Bible in my collection to nail this combination. All but a few quibbles add up to a delightful Bible that you will want to use rather than admire, study rather than read, and reflect rather than daydream.
I’ve referred to the Quentel as a “workhorse” in the past, and after a long period of testing, I can confirm my first impressions.
Full Transparency:EvangelicalBible.com sent me this Bible free of charge, though I did pay for the shipping. Further, this Schuyler Quentel copy must be of a prior generation and has a small defect on the front cover. I don’t think either of these variables contribute anything to the review whatsoever, but it’s good for everyone to know. Finally, I have purchased a copy of the newest Schuyler Quentel ESV, which you’ll see in a bunch of photos in this review.
The Quentel
The more premium Bibles I have a chance to put my hands on and try, the less the materials and craftsmanship seem to matter. It’s not that they don’t matter, it’s that premium Bibles are all unbelievably well made these days. Even Crossway’s Chinese-made premium Bibles are of a higher quality than anything we saw 10+ years ago. Each Bible has its own set of high quality craftsmanship characteristics, but no premium Bible is going to disintegrate on you in the near future.
Instead, what stands out to me is the layout of the text, the font selections, the formatting, the reading and study tools, and the purpose of each Bible. Crossway excels at producing great reading Bibles and R.L. Allan sets the bar for cross-reference Bibles. Schuyler’s Quentel has its own unique magic as well, which I hope to delve more into.
But to sum up my thoughts on the Quentel: If you purchase a Schuyler Quentel ESV, it’s not the “Schuyler” portion of the name that sets it apart from other premium Bible makers. It’s the “Quentel” portion of the name that sets it apart. The Quentel format could be the pinnacle of dual-column layouts available right now and, if you’re not into single-column Bibles like the best from Crossway, the Quentel should be your first look. No matter which translation, the Quentel’s dual-column layout really is the best out there.
Design and Materials
I’ve scoured EvangelicalBible’s site to determine the exact specifications of my ESV Quentel and I’m fairly certain this is a past generation model. For one, the black goatskin plus blue ribbon combination is nowhere to be found (at least in EVBible’s current selection). Second, there are some slight misfirings on my copy (like some extra bleeding of the art gilt around each page and the slight defect on the front cover) which make extra difficult to determine the make and model. Fortunately, I have a retail copy to compare to.
It’s surprising how little I care though — again, it’s the “Quentel” part that matters here.
This Quentel was designed by the Bible makers at 2K Denmark and printed and bound by Jongbloed in the Netherlands, a name which has already found its place on this site in prior Bible reviews. Both of these companies are world renowned Bible designers and printers and ensure every Quentel is of the highest quality.
The front and backside goatskin leather is supple and flimsy, though not as flimsy as the Crossway ESV 80th Anniversary Omega I reviewed a few months ago. It’s also less pebbly than the Crossway Single Column Heirloom Legacy, providing a more smooth to the touch feel.
The front is debossed with Schuyler’s Jerusalem cross logo — an artistic flair in an otherwise workhorse design. The spine has six brilliant ribs with minimal branding to be had.1 The covers are edge-sewn to provide more durability between the front goatskin leather and interior goatskin liner. There’s a gold gilt line running around the edge of the inside cover. And the covers extend about a half-inch beyond the paper block, creating a generic-sized yap that is neither too big nor too small.
I could yammer on and on about each individual element of the Quentel’s physical design and materials, but again, the fact is that almost all premium Bibles have these physical features. There are only a few elements that differentiate the Quentel from other Bible makers.
Ribbons
Based on EvangelicalBible.com’s product photos, all Schuyler Quentel Bibles come with this long, beautiful, Berisford ribbon trifecta. These ribbons truly set the bar when it comes to premium Bibles.
No matter your position — be it at the front or back of the Bible or at the gutter or edge of the paper block — the ribbons are long, easy to use, and allow for proper maneuvering through the pages to find your saved spot.
Two small points of contention on my end:
First, I wish the ribbons were multi-coloured. I think multi-coloured ribbons both look more fresh and aesthetically pleasing, but they also provide extra utility. Some people are colour-specific readers and studiers (why do they make multiple highlighter colours, after all?) and having an extra colour or two could potentially benefit someone whose mind works in this fashion.
Second, I wish there was a fourth ribbon. Despite being hilariously short, the ESV Heirloom Study Bible provides four multi-coloured ribbons — perfect for study, colour-coordinating, and saving multiple locations. Two ribbons for the Old Testament and two ribbons for the New Testament is generally how I work.
Lay Flat Binding
Because of the Quentel’s formatting and layout, lots of text flows into the gutter in the middle of the book block. So while you’re able to scan each individual line quickly in the dual-column format, you may end up having to crank your neck slightly to find the last few characters hiding in the gutter.
As a result, the Quentel’s lay flat binding is of the utmost importance. While I’m happy to report no major issues, I’m also not able to say my copy has the best lay flat binding in history. You’ll immediately notice the stiff, heavy binding when you open the inside front cover, and this stiff binding permeates right through the book block.
You can rest assured that this binding will last a lifetime. But if I had to nitpick about anything in my Quentel copy, it’s that too much text gets covered in that gutter thanks to the not-so-lay-flat lay-flat binding. I expect newer copies of the Quentel will have this ironed out with ease.
Paper
Schuyler has experimented more than any other premium Bible maker over the last few years when it comes to paper. Original Quentel copies sported paper thickness of 45 GSM, providing a genuine heft and thickness but a perfect opacity for reading. Fast forward and Schuyler has shipped both 36 GSM and 28 GSM Quentels (even in the large size variety) in an aim to find the best combination of thickness and opacity.
My Quentels sport a 36 GSM paper variety, which is noticeably thicker than the 28 GSM and 31 GSM of my Heirloom Single Column Legacy and Heirloom Study Bible respectively. The paper is wonderfully thick, with minimal show-through. Add in line-matching (another one of those features basically considered table stakes at this point) and you’d be hard-pressed to be distracted by any text on a previous page.
The 36 GSM paper does create a thick and heavy book block, which depending on your intended use, may be a dealbreaker. However, the thick and heavy book block is likely more a result of the chosen font size than it is the thickness of the paper.
The other differentiating factor here is the paper colour. Schuyler has gone with a very off-white — borderline eggshell white — paper, providing a differing contrast between text and background paper than other premium Bibles I’ve tried. In bright daylight, it’s very soothing on the eyes. In darker situations, however, I’m lukewarm on the paper colour — I think I’d tend to prefer a brighter white background for darker reading environments.
Finally, I’m only adding this in as a descriptor for any pixel peepers — my Quentel’s art gilt lining the outer edges of each page tend to bleed onto the front-facing side of each page. There’s no distraction whatsoever in use, nor is there anything to complain about. I’m noting simply because my Quentel copy is a slightly-damaged copy to begin with and I’d fully expect this issue to be corrected in any retail purchase. My recently purchased Quentel ESV doesn’t have this issue. I think I’m safe in saying quality control will not be an issue.
Finally, the Quentel Layout
Again, to this point, there’s very little that differentiates the Quentel from any other premium Bible. The exterior and interior materials are all of exceptional quality and the 36 GSM paper provides a wonderful opacity for reading and study.
But all of that is secondary to the actual Quentel layout. Schuyler’s decisions in the layout department are what set this Bible apart from other premium Bibles, and are equally responsible for my “workhorse” moniker above.
Dual Column
Not that I’ve received a ton of feedback on my Crossway Single Column Heirloom Legacy review, but I’ve had a fair number of readers ask if I thought that Bible was an appropriate purchase for reading (as opposed to study). For whatever reason, the single column layout seems to be associated to reading while dual column layouts are associated with traditional study and verse-by-verse reading.
Of course, those associations aren’t wrong. But I’m not as big a fan of single column layouts for reading as I originally was. To me, there are too many characters spread across a single line of text in most single column layouts, providing too much left-to-right scanning and making it more difficult to quickly pickup the correct line when moving down the page. Single column layouts work wonders when showing off poetry or the Psalms, but I find long-form reading to be more tiring with this layout.
Dual columns have the exact opposite problem. They are ideal for quickly scanning four or six or seven words at once before quickly jumping to the next line — you can almost absorb all the words on a line with one look, eliminating any actual left-to-right scanning. But poetry and the Psalms were never written with dual column layouts in mind.
To me, single column layouts are beautiful and aesthetically pleasing, perfect for showing off God’s Word, for reading the wonderful wisdom inside the Psalms, and for better paragraph breaks to keep like thoughts and clauses together. Dual columns, conversely, are better suited for quicker reading.
The Quentel is the breadwinner of dual column layouts. Text is divided right up the middle, with large red numbers denoting chapters, bolded numerals for verse numbers, small caps for topic breaks, and a dividing line at the bottom for cross references. By moving the cross references to the bottom of the page, each column is provided that much more horizontal space, making it easier for the dual column layout to house the large Quentel font size.
Font, Font Sizes, and Colours
I grew up on giant print Bibles — my dad didn’t have particularly bad eyesight or anything, but my childhood Bible had giant font for easier reading. I toyed with a few extra small print Bibles in my university days, but squinting never grew on me.
Thanks to the unique dual column format and large book block, the large Quentel strays more towards the giant print than the small print. The 11 point Milo font jumps large off the page and is one of the most comfortable texts I’ve ever read.
This Milo font isn’t your standard, run-of-the-mill Bible font — I think more of Georgia when I think of Bible fonts. This is still a traditional looking serif, but it has a slight modern twist to it that enables it to feel fresh.
Beyond that, Milo makes exceptional use of ascenders and descenders to make an 11 point font feel even larger than an 11 point font. Lowercase letters which normally ascend to the middle of a line (like the letter “n” for example) ascend closer to 3/4 of a regular line height, with capital letters and lowercase letters with full line ascenders utilizing the extra 1/4 line. The result is a more readable small font that utilizes a full line height (and beyond, in the case of descender letters like “y”) in a unique way.
This Milo font and the corresponding ascender/descender characteristics are most notable when read at smaller sizes, like the Personal Size Quentel’s 8.5 pt. font. On a full size Quentel, words jump off the page. On a Personal Size Quentel, the 8.5 pt. font is perfectly readable, whereas other Bibles with 9 pt. fonts often feel smaller. All this to say, I think Milo’s unique characteristics are best suited for smaller font sizes as opposed to larger font sizes.
The ESV Quentel comes in a black letter typeset only, with the only red lettering and numerals coming in the form of chapter markers, book and page numbers at the top, and cross references at the bottom of the page. For the little bit of red on each page, I can say the red lettering is done well — it’s quite common to see these red letters really brighten up and provide an awkward contrast with the background of the page.
Study Materials and Extras
It’s really hard to compare any non-study Bible to a study Bible, at least in terms of study materials and extras. Apples to oranges: If you’re looking for a Bible to take your learning beyond the text on each page, you should look at the ESV Heirloom Study Bible or MacArthur Study Bible, among others. But apples to apples: The Schuyler Quentel has most of the concordance, cross references, and Bible maps you could need.
The concordance lies in stark contrast to the actual Biblical text, specifically in terms of font size. Each term is printed in small caps Quentel red, with three columns spanning each page. There’s a generous amount of terms to be searched here. While you won’t need a magnifying glass, those with glasses may find themselves squinting at concordance terms.
The Quentel comes with 12 Bible maps which are labelled nicely in a table of contents at the start of the maps section. These Schuyler maps colours are really pleasing and provide a lot more topographical detail than the Heirloom Single Column Legacy, for instance. The maps are also printed on a thicker stock paper, ensuring overhead light doesn’t reflect poorly like it does with glossy paper. There’s even an index to the maps, if you need further location information.
And, colour me surprised: There aren’t any note-taking pages in the back of the Quentel. You get Revelation 22, a table of weights and measures, a table of abbreviations, and then you jump straight into the concordance. The Personal Size Quentel comes with note-taking pages, but does jettison the concordance to keep the smaller size. Something to think about, depending on how you intend to use the Quentel.
Your Workhorse Bible
In the middle of writing this review, I purchased and received a few Schuyler Quentel Bibles for my wife and newborn daughter (an heirloom present which I hope lasts her entire life). This marked the first time I had a chance to compare any of my current collection to the widely loved Schuyler Personal Size Quentel.
Fortunately, my original take still stands: The regular sized Schuyler Quentel is a dream workhorse Bible. It’s the Bible you’re most likely to use when you’re at home or at your desk. It’s the Bible you’ll be happy to bring along with you if you don’t have a smaller option. It’s the Bible you won’t be afraid to give as a gift to any friend or family member.
Until today, “premium Bible” had a specific connotation in my mind — one of genuine beauty, craftsmanship, and pleasing aesthetics, but one that I wanted to cherish and treasure for as long as possible. The Schuyler Quentel changes that connotation. “Premium Bible” can wholly and fully mean “everyday use” Bible as well.
Bible makers continue to outdo themselves, so I may end up eating my words. But the Schuyler Quentel sets the bar for everyday, general use Bibles. This Bible will be treasured in anyone’s hands.
You can purchase the Schuyler Quentel ESV exclusively at EvangelicalBible.com in a variety of colours. At $200, this is one of the more expensive Bibles available on the market, but you can be sure the craftsmanship and material quality will last your entire lifetime.
It should be noted that my excitement for this Schuyler Quentel’s spine is probably overboard. Schuyler absolutely nails the spine, making it the easiest and most beautiful Bible to be picked out of a stack of premium Bibles on a book shelf. ↩
Full disclaimer: I have not seen The Rise of Skywalker. I do not know anyone who has seen The Rise of Skywalker. I just want to make a big, bold prediction about how the Skywalker story ends.
First, let’s go back a bit.
Thousands of years before Episode 1 — albeit not officially canon — the Sith were led by Darth Bane and numbered in the thousands. The Jedi-Sith Wars took place and, due to much internal fighting, the Sith were all but wiped out by the Jedi Order. Bane, the sole survivor, created the Sith “Rule of Two”, wherein there shall only be a Sith master and a Sith apprentice. In effect, the apprentice was to learn greed and a thirst for power from the master, which would eventually result in the apprentice overcoming the master and carrying on the tradition of the Sith.
Current balance of the Force: Thousands and/or millions of Jedi to one Sith.
Prophecies abound in the timeframe around Episode 1 and Anakin Skywalker is born of the Force. He is to bring balance to the Force. What’s awkward is that the Jedi Order have the prophecy completely backwards — Skywalker is to bring balance to the Force through the destruction of the Jedi. By utilizing a Clone Army, Sheev Palpatine (Darth Sidious) and Anakin Skywalker (Darth Vader), destroy the Jedi Order.
New balance of the Force: Few Jedi (we know of Obi-Wan Kenobi, Yoda, Cal Kestis, and Kanan Jarrus for sure) to two Sith.
In a duel on the Death Star, Darth Vader kills Obi-Wan Kenobi.
New balance of the Force: One less Jedi to two Sith.
Luke Skywalker, Darth Vader’s secret son and secret brother of Leia Organa, trains under Obi-Wan Kenobi before his death and under Master Yoda before his death to fight Darth Vader. Luke fights his father Vader, defeats him, and subsequently stands up to Darth Sidious. Sidious defeats Luke, relatively easily. However, Vader, not yet dead, turns back to the Light Side of the Force, resumes his role as Anakin Skywalker, and throws Sidious to his doom. Following the defeat of Sidious, Anakin Skywalker succumbs to his injuries.
New balance of the Force: One Jedi (Luke Skywalker) and zero Sith.
Presumed balance, right?
Well, the Jedi in their hubris (Luke’s words, not mine) assumed the Force was theirs and theirs alone, and Luke began training a new Jedi Order.
New balance of the Force: Many new, young Jedi (including Leia Organa/Skywalker, as seen by her use of the Force in Episode 8) and zero Sith (potentially a single Sith in the form of Snoke1).
Luke’s nephew, Ben Solo, son of Han Solo and Leia Organa/Skywalker, begins to be tempted by the Dark Side of the Force and is eventually consumed by the Dark Side, becoming Kylo Ren, apprentice of Snoke. Solo, now Ren, slaughters Luke’s new Jedi Order. Luke, distraught, flees to exile on Ahch-To and denounces the Force, ceasing to be a Jedi.
New balance of the Force: One Jedi (Leia Skywalker/Organa) and two Sith (Kylo Ren, Snoke, and/or Sidious).
Out of nowhere (Jakku; Luke’s words, not mine), Rey begins to show exceptional power in the Force. She grows strong in the Force and duels Kylo Ren. She defeats and injures Ren and begins her Force journey. During Rey’s initial training by Luke Skywalker, Rey begins to show her temptation by the Dark Side of the Force. Further, in many instances, it appears she is less balanced than previous Light Side Jedi, implying that Rey has an easier time tapping into the Dark Side of the Force.
Later, Rey is brought in to see Snoke by Ren. In an attempt to turn and/or destroy Rey, Snoke is struck down by Kylo Ren. Rey and Ren fight side by side to escape Snoke’s chambers, but eventually go their separate ways and practice their separate sides of the Force.
Final balance of the Force before The Rise of Skywalker: Two Jedi (Leia Skywalker/Organa and Rey) and one Sith (Kylo Ren).
With all the backstory out of the way, my predictions for The Rise of Skywalker are as follows.
Leia Skywalker/Organa dies or passes away gracefully (I don’t believe Disney would kill off the late Carrie Fisher’s character), but not before we learn of a new Sith in the form of Darth Sidious. With the death of Leia, the balance of the Force now resides on the side of the Sith, requiring Rey to either defeat Kylo Ren or Darth Sidious.
Rey has been obsessed with turning Kylo Ren back to the Light Side and resuming his role as Ben Solo, both for what I believe to be altruistic purposes and, potentially, due to a love affair. As a result, actually killing Kylo Ren cannot be an option for Rey.
Kylo Ren will have to be redeemed in the last Skywalker film (he is a Skywalker after all), resuming his Light Side figure and re-aligning the balance of the Force to the Light Side.
With a new balance of two Jedi to one Sith, something will have to give in the fight to defeat Darth Sidious.
Either all of the Force wielders will die in battle, ending the use of the Force in the Skywalker line. This seems unlikely, as “The Rise of Skywalker” implies someone will have to rise at the end of the film.
It seems equally unlikely that the redeemed Ben Solo will be the ultimate survivor at the end of the nine film saga. Something about it doesn’t seem right, nor do I expect Disney to strike down the lead female character in favour of the spoiled brat white male character. There’s no way this happens.
Which leaves my ultimate prediction:
Ben Solo and Rey fight Darth Sidious side-by-side, with Ben Solo ultimately being killed by Darth Sidious. Sidious, in his lust for power, fights Rey to destroy her. Rey uses her ability to tap into both the Light and Dark Sides of the Force to destroy Sidious, leaving her as the sole Force wielder in the Skywalker saga.
Rey begins a New Order, no longer deemed the Jedi Order, but something along the lines of the “Order of Skywalker”, a new breed of Force user that utilizes both sides of the Force.
Final balance of the Force: One equally balanced Force user (Rey).
I could be way off (in fact, I’d like to be way off — I think there’d be something very neat about Anakin Skywalker somehow fulfilling the original prophecy set in Episode 1). But if I had to put money on any story, this is where my money would be.
I’m very excited to see the film tonight. After 42 years of the Skywalker saga, it comes to a close tonight.
And potentially a second Sith, as we now know Darth Sidious may still be alive. ↩